The Easter story for “60 Minutes” this year is about the bonebox inscribed with “James, son of Joseph, brother of Jesus.” The 13-minute video segment and a written transcript is available online.
In terms of production, the video is outstanding. They have beautiful footage, dramatic interviews, and a clear storyline. This 13-minute story will make understandable to millions what five years of scholarly debate has not. But I’d recommend watching this for entertainment value than for factual analysis. There are many problems with this “reporting.”
The first issue is the lack of scholarly testimony. Only a few scholars are interviewed and only one is allowed to give his verdict about inscription’s authenticity. Witherington and the Pfanns are quoted only about the excitement and possible value of the inscription. Silberman gets double the airtime, and his statements about authenticity (or lack thereof) seem to be carefully crafted for dramatic effect. The story does not give the background for any of these individuals, so it’s worth noting that Silberman is not an archaeologist nor a paleographer. He is a popular writer about biblical and archaeological subjects. He has co-written several books claiming that the Bible is a fraud, so it’s not surprising that he thinks that an inscription that supports the Bible is also a fraud. Unfortunately none of the scholars who specialize in this area were interviewed (or included), and most of them think the inscription is likely authentic.
While the story’s title would have you believe that this is a story about the James Ossuary, only the first half of the story discusses the bonebox. From that point on, the producers try to condemn the ossuary using guilt by association. This is the only way they can make the story work, because most scholars think the inscription is authentic. The argument against the inscription is that
1) the ossuary came from the collection of Oded Golan;
2) Golan had tools that could be used for making forgeries;
3) an Egyptian claims that he made other forgeries for Golan (but not this one).
What they insinuate and omit is more significant than what they report.
1) Did Golan forge the inscription or did the Egyptian? It doesn’t matter, as long as they can create doubt in the viewer’s mind.
2) Is Golan and/or the Egyptian capable of creating such a perfect inscription? Most scholars say they could not. 60 Minutes misleads by quoting a policeman who says that the Egyptian is a skilled craftsman. They don’t quote Ada Yardeni who says that if Golan faked it, “he’s a genius. But I don’t believe it.”
3) There is no mention of the old photograph that Golan has of the ossuary with the inscription. The authenticity of the photograph is disputed, but if authentic, it is compelling evidence that the inscription was not forged.
4) Did Golan pass a polygraph? I don’t know, but it seems like a simple test that would be of relevance.
5) Why is such an open-and-shut case taking the Israeli police more than three years in court?
6) Was the inscription forged or only part of the inscription? Like several components of the story, they want to have it both ways.
In 13 minutes, one cannot expect all of the evidence to be presented, but it is noteworthy that CBS has given us a glimpse of the prosecution’s case rather than an even-handed treatment. Even the multiple uses of an interview with Golan is intended to support their case. I haven’t read of anybody who supports or trusts Golan. He certainly doesn’t exude credibility on screen. But the issue isn’t about him. Even if he forged 1,000 pieces, that doesn’t prove that the ossuary inscription is fake.
Sitting on a toilet doesn’t prove that it is fake either. Maybe it is, but it is certainly better to analyze the artifact itself rather than its circumstances. But this they do not do. The fact is that many scholars believe that the entire inscription is very likely authentic, including Ada Yardeni, Bezalel Porten, Gabriel Barkay, and Andre Lemaire. The inclusion of the toilet photograph and the failure to include even one specialist of ancient inscriptions proves that this story is about entertainment and not facts.
One final note: Forgery of antiquities and looting of antiquities are major problems in Israel and around the world. These crimes should be prosecuted aggressively. But when a majority of the specialists believe an alleged forgery to be authentic, it is time to pursue other cases.
5 thoughts on “60 Minutes on the James Ossuary”
Bingo, Todd! Thank you for echoing my own sentiments. I would also add these (& encourage other readers to add to the list):
7) If Golan used the tools found in his apartment “to cut new inscriptions,” why would he need to hire an Egyptian to inscribe them? Why would he take such a ridiculous risk?
8) The detective later says all Golan did was “market” them. So why discuss the tools? I own tools that could cut inscriptions too. So what?
9) Does anyone really believe a US film crew was able to locate & persuade this obscure Egyptian, & that the Egyptian was totally unaware of Golan’s world-renowned ossuary?
10) If he made these undeniably impressive fakes, such as the Joash Tablet with real traces of melted gold, why was he not able to display a similar specimen to the film crew, or even show them a photo?
11) If the “undercover” video of the Egyptian was truly undercover, & if he’s still in business, why didn’t they ask him to show a sample of a tablet, &/or offer to pay him a profitable amount to make one like the Joash Tablet? (Remember BAR’s contest?)
12) If he really made “several” such tablets, where are the others, & why didn’t he describe them for the record in case they show up one day?
13) If the story is really “about the Bible & Truth”, as stated in the opening, how soon will 60 Minutes be airing a special on all the authentic artifacts that force critics to admit the Biblical writers used accurate source material (e.g., Sennacherib vs. Hezekiah, Sargon, Israel via the Merneptah Stela, David’s Dynasty via the Dan Stela, Caiaphas via his ossuary, Pilate via coins & stela, etc.)?
Silberman states that it was “thrust on the world” … remember that the next time you read a headline stating that another incredible proof of Evolution has been discovered, & time your stopwatch to see how long it takes 60 Minutes to produce a show criticizing it in equal manner, & state that the “entire world” of Biology is on trial.
Gotta love the bleeding-heart, cover-all-your-bases liberal ending: “whatever the outcome … the real casualty is Knowledge itself”.
I think the bottom line here is that once an object is taken out of it’s archaeological context, it’s usefulness and authenticity is forever compromised.
I think 60 Minutes overstates their case, but I think Herschel Shanks does too. We may never know is this is authentic (and of course, even if it is, it may not be James the Just either).
Neil Asher Silberman was trained in archaeology at Hebrew University, a contributing editor to Archaeology, and on the editorial board of Near Eastern Archaeology, according to profile at EName Center.
Don’t you think you should give him proper credit?
Yitzhak – thanks for noting those qualifications. My point still stands: there must be at least 100 experts more qualified to speak about burial customs, inscriptions, and forgeries. So why did 60 Minutes choose a “Coordinator of International Programs,” one who describes himself as “an author and historian with a special interest in history, archaeology, public interpretation and heritage policy” as their sole expert on the matter? I think their choice was based not on qualifications but on beliefs.
By the way, in my question #11, I assumed that CBS was presenting the interview with the Egyptian as being undercover caught by a hidden camera, but this was just an entertainment ploy to trick viewers into thinking they were seeing something they weren’t supposed to see. Aside from 2 or 3 different camera angles, I just noticed that they openly admit they presented themselves as being the TV show’s producers: “Marko Sammech was surprised to see 60 Minutes.”