This series of posts examines the historical reliability of the New Testament books of Luke and Acts by comparing these books to other ancient textual sources and the archaeological record. In addition, background information on key elements of the various narratives is also given.

One of the persons mentioned in Luke 3:1-2 is “Philip, tetrarch of Iturea and Traconitis.” In addition to this biblical reference, the 1st-century AD historian Josephus also refers to Philip and notes that he was the son of Herod the Great and Cleopatra of Jerusalem (Antiquities 17.1.3). Having been born in c. 22 BC, Philip was assigned a portion (i.e., Iturea and Traconitis) of his father’s kingdom when the later died in 4 BC. Philip ruled until he died in his own turn in AD 34, and Josephus refers to Philip as a “person of moderation and quietness in the conduct of his life and government” (Antiquities 18.4.6).

Interestingly enough, despite his apparent affinity for “moderation and quietness,” Philip married Salome, a woman with at least one episode in her life that was anything but moderate and quiet. By way of pedigree, Salome was the daughter of Philip’s half-brother Herod (tetrarch of Galilee) and Herod’s stolen wife Herodias. Further, as a younger woman she is actually the one who danced for this same Herod and his dinner guests, which, as many are aware, led to Herod’s ill-advised promise to give her “up to half” of his kingdom, which in turn led to the violent death of John the Baptist. The sordid details of the event (including the reasons for the death of John the Baptist) are recorded in Mark 6:14-29, and this rather interesting (to say the least) collection of behaviors has ever after been the inspiration for much drama and art, among which is the following work produced by Titian, the Venetian Renaissance master, in c. 1515.