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Most visitors to the Garden Tomb do not realize that a Muslim cemetery sits on the hilltop above. 

But it is construction work in one cemetery that is recently alleged to threaten the safety of those in another.  The original story in Ma’ariv is summarized in the Caspari Media Review:

According to this report, the Wakf – the Islamic trust most well-known for controlling and managing the Islamic edifices on the Temple Mount – is currently building a wall above the Garden Tomb, “an historic site important to Christianity,” which is “threatening to undermine relations between the three faiths in the city.” The work is part of the maintenance and expansion of the Muslim cemetery located above the Garden Tomb. “Thus far, high wooden foundations of a height of two meters have been laid at the site, and the work is due to be completed by the addition of concrete on top of the wooden beams.”
The managers of the Garden Tomb have protested, fearing that the wall might fall on tourists coming to visit the site. “‘They didn’t show us any plans or ask for our agreement regarding the building work,’ says Steve Bridge, the deputy manager. ‘More than a quarter of a million pilgrims visit the site, and a disaster may occur if something is not done properly. Three or four hundred worshippers stand right under the wall every day. Were it to fall while there are visitors here, there might well be a catastrophe the like of which we’ve never seen.'”
The managers of the Garden Tomb are also worried that the incident might lead to “irreversible damage” to the tomb itself – which in turn would spark a serious crisis in Jewish-Muslim relations in Jerusalem and internationally. “‘It’s a scandal,’ added Bridge. ‘We’ve turned to them with a list of questions, and I hope that we will receive satisfactory answers.'” According to the municipality, the building was begun without permission and in contravention of the customary procedures. The Wakf announced that they intend to sort out the problems with both the municipality and the Garden Tomb.

Gordon's Calvary escarpment from Old City, tb123199207The Muslim cemetery sits atop the hill of the “skull” (center) and the tomb (off the edge to the left).

Tom Powers recently wrote about D. L. Moody’s troubles when preaching in this cemetery.

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Yesterday I sent out the latest edition of the BiblePlaces Newsletter, complete with a “scoop” on how to get the digital maps from the New Moody Atlas of the Bible as well as a set of photos of the Israelite capital of Samaria.  You can read the newsletter here and you can subscribe here.

In the newsletter I also noted that in conjunction with a complete overhaul of the BiblePlaces webstore, we were offering a big discount for a brief time.  Today and tomorrow only you can purchase the complete four-volume electronic edition of Picturesque Palestine for $20, including free shipping in the US. 


Picturesque Palestine was published in four large volumes in 1881 and it was an immediate success. 

But there were many travel type books imagepublished in the 19th century that are no longer of much interest.  What makes Picturesque Palestine still valuable is that it was written by the best scholars of the day.  If you’ve done much research about the Holy Land, you’ll be familiar with names like Charles Wilson, Henry B. Tristram, Claude Conder, Mary Eliza Rogers, Charles Warren, Edward Palmer, and others.  

The work is also outstanding because of the hundreds of beautiful illustrations.  Color photographs have their value, but I love to study old engravings like this one.  Altogether the collection has 600 engravings, all identified in the filename.  When this set was published about five years ago, we didn’t have programs like Picasa that allowed quick and easy access to photos by searching.  Today you can copy all of these images to your computer and find what you are looking for instantaneously. 

I love this collection.  I love to read the stories and to enjoy the illustrations.  It took a lot of work to digitize the whole, but my hope is that it not only made the work available to a much wider audience (than the limited print editions that cost around $500), but also that it is much more useful than the originals are.

To get the discounted price, use this link.  The collection will be in your cart with the discount applied when you are ready to checkout.  The offer ends on Thursday, 9/16 at 11:59 pm.

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From the Jerusalem Post:

A royal box built at the upper level of King Herod’s private theater at Herodium has been fully unveiled in recent excavations at the archaeological site, providing a further indication of the luxurious lifestyle favored by the well-known Jewish monarch, the Hebrew University announced in a statement released Tuesday.
The theater, first revealed in 2008, is located halfway up the hill near Herod’s mausoleum, whose exposure in 2007 aroused worldwide attention. The highly decorated, fairly small theater was built in approximately 15 BCE, which was the year of the visit of Roman leader Marcus Agrippa to Judea, Emperor Augustus’s right-hand man, according to Prof.  Nezter, who has been assisted in the excavations by Yakov Kalman, Roi Porath and Rachel Chachy.
The royal box (measuring eight by seven meters and about six meters high) is the central space among a group of rooms attached to the upper part of the theater’s structure. This impressive room likely hosted the king, his close friends and family members during performances in the theater and was fully open facing the stage.
Its back and side walls are adorned with an elaborate scheme of wall paintings and plaster moldings in a style that has not been seen thus far in Israel; yet, this style is known to have existed in Rome and Campania in Italy during those years. This work, therefore, was probably executed by Italian artists, perhaps sent by Marcus Agrippa, who a year before his visit to Judea met Herod on the famous Greek island of Lesbos, said Netzer.

The article continues here.  A similar story is posted at China Daily. For previous stories on Herod’s tomb, see here.  The Smithsonian has a gallery of a dozen photos of the Herodium, the last two of which (11, 12) show the most recent excavations.

HT: Joe Lauer

Herodium theater, tb010210567

Herodium theater
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I am intrigued by a new report of an excavation of a Jerusalem burial cave for several reasons (HT: Roi Brit).  First, the tomb is interesting in its own right, with six kokhim, a standing pit, a blocking stone, and seven complete ossuaries.  The lid of one of these bone boxes was attached by a bronze nail and another had a two-line inscription which read in part, “Cursed is the one who casts me from my place.”  The archaeologists date the cave to the 1st century AD.

But I’m less impressed by the obvious haste with which the tomb was excavated.  The archaeologists make no attempt to mask the conditions under which they worked.  They write:

On the night of January 18, 2009, a rock-hewn burial cave was hastily documented in the Qiryat Shemuel neighborhood of Jerusalem.

Night conditions are less than ideal for archaeology, even when the excavation is in a cave.

The hurried process and poor lighting conditions in the cave precluded a proper examination and description of the cave’s contents.

The operation was so hasty that they could not even get sufficient lighting in place for their examination. 

Artifacts were not removed from the cave and once its documentation was done, it was sealed and covered with soil.

Sealing a cave after excavation is not unusual, particularly when it is not necessarily unique and lies in the way of a building project.  But it is disturbing that artifacts were left in the cave when a proper examination was not done.  The world has not yet been rid of grave robbers.

Due to the haste, only two complete ossuaries and several decorated fragments were documented (Figs. 4, 5)….Careless engravings or traces of faded paint were noted on other ossuaries; these may also be inscriptions that require further research for decipherment.

The obvious question here is who is running the show in Jerusalem.  Do building contractors have more authority than government archaeologists?  It seems to me that this report is a quiet protest against the way antiquities are being treated in Israel.  The tomb and its artifacts are part of the nation’s heritage.  Whatever construction project is involved is likely not part of that heritage.  What is so important that the contractors cannot wait one day while the tomb is properly studied?  Who makes the decision on these matters?  Are they influenced by the deep pockets of the building contractors?  Are Israeli government officials selling out the nation’s heritage to line their pockets? 

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The archive of the American Schools of Oriental Research is now open to the public at Boston University.  Treasures in the collection include diaries of archaeologists, photos of excavations, and historic mementos. 

Wow – check out this yard full of antiquities that a “collector” had amassed before he was arrested. 

For the story in English, see here.

Hundreds of looted antiquities have been returned to Iraq from the United States, reports the NY Times.

An article was found in the excavations near the Western Wall.  No kidding—an article.  You don’t want to miss these informative updates from The Kotel site.

iLumina Gold Premium (details) was a great program when it cost $60.  Now it’s $15

HT: Joe Lauer and Roi Brit

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The BBC reports that the Cyrus Cylinder is on a four-month loan to the museum in Tehran.  The British Museum had previously agreed to loan the artifact but delays led the Iranian museum to warn it would cut all ties with the British Museum.

The Cyrus Cylinder is well known because it describes practices of the Persian king (ruled 559-530 BC) similar to that described in the Bible.

I returned the (images of) the gods to the sacred centers [on the other side of] the Tigris whose sanctuaries had been abandoned for a long time, and I let them dwell in eternal abodes. I gathered all their inhabitants and returned (to them) their dwellings (Context of Scripture 2: 315).

As predicted by Isaiah, the Israelites were allowed to return to their land under Cyrus.  This is reported in the last two verses of 2 Chronicles and the beginning of Ezra.

Ezra 1:1–4 (NIV) In the first year of Cyrus king of Persia, in order to fulfill the word of the Lord spoken by Jeremiah, the Lord moved the heart of Cyrus king of Persia to make a proclamation throughout his realm and to put it in writing: 2 “This is what Cyrus king of Persia says: “ ‘The Lord, the God of heaven, has given me all the kingdoms of the earth and he has appointed me to build a temple for him at Jerusalem in Judah. 3 Anyone of his people among you—may his God be with him, and let him go up to Jerusalem in Judah and build the temple of the Lord, the God of Israel, the God who is in Jerusalem. 4 And the people of any place where survivors may now be living are to provide him with silver and gold, with goods and livestock, and with freewill offerings for the temple of God in Jerusalem.’”

Cyrus Cylinder, tb112004172

The Cyrus Cylinder is in my “top 15” list of artifacts in the British Museum.

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