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The medieval ruins at Acco have been well preserved and restored, but a visit to the biblical tell of Acco is quite disappointing.  Plans are underway to improve conditions, with a government grant of more than $5 million (23 million NIS) for the “Tell Akko” Tourism Project. The Israel Antiquities Authority report describes part of the project: 

The tell is a historic site that extends across c. 200 dunams and constitutes an important landmark at the entrance to the city. The renewed site combines the historic spots that existed in the region with modern attractions for the entire family, and includes a system of footpaths and bicycle trails, vantage points, archaeological finds and stations providing information on archaeology, history and ecology. Among other things, it will be possible to learn there about the manufacture of glass and the production of purple dye as they were done in the past in the same region, remains of which were found on the tell.
In addition, in September 2009 an “open theater” will be established on top of the southern slope of the tell, which will be used for large public events such as theatrical and musical performances….
The director of the Israel Antiquities Authority, Mr. Shuka Dorfman said, “This important enterprise is putting into practice the vision of the Antiquities Authority of exposing the archaeological remains to the public at large. The Israel Antiquities Authority is acting to make the antiquities sites as accessible and comprehensible as possible for the visiting public by means of preparing the sites, vantage points, archaeological exhibits and information stations that cover a variety of topics. In this way Tel Akko, which has not been fostered to date and was damaged over the course of time by development activity and natural hazards, will become a recreation venue for the residents of Akko and the region, and for tourists, and will connect them to the rich cultural heritage of Akko”.

Tell Acco excavations, tb100905637ddd

Tell Acco, October 2005

HT: Joe Lauer

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The current issue of Biblical Archaeology Review (Jan/Feb 2009) includes an article by Ehud Netzer on the size and location of the Antonia Fortress (teaser here).  Built by Herod the Great, this imposing structure both protected the Temple Mount on its vulnerable northern side and it served as a convenient monitoring station for potential uprisings in the Temple area.  When Paul was accused of bringing a Gentile beyond the Court of the Gentiles, a riot began.  Paul’s life was spared by Roman officials who arrested him and took him to the Antonia Fortress (Acts 21:27-22:29).

Netzer is a renowned scholar, whose work on the Herodian sites of Jericho, Herodium, Caesarea, Jerusalem and elsewhere has led some to dub him “Mr. Herod.”  He realized a lifelong dream in 2007 with the discovery of King Herod’s tomb.  He has not excavated in the area of the Antonia Fortress because the Muslim authorities forbid any scholarly activity on the Temple Mount.

Leen Ritmeyer, a Temple Mount scholar, yesterday posted a response to Netzer’s article on the Antonia Fortress.  Ritmeyer believes that Netzer is mistaken both with regard to the size and shape of the building.  As always, Ritmeyer has beautiful and helpful illustrations.  The second diagram in his post reveals the existing remains of the fortress (in yellow).  The photo below shows the rock scarp and some of the Herodian masonry (on right).

Area of Antonia Fortress with bedrock, tb092103205

Remains of Antonia Fortress, north side of Temple Mount
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Visitors to ancient sites in Israel often wonder how much has been restored and how much is original.  Sometimes there is a snaking black line that the restorers have placed just to answer this question.  But oftentimes there is no such indicator, and the tourist may imagine that what he is seeing has stood intact since the biblical period.  One site that I was long unaware of the degree of reconstruction was the theater of Caesarea.  Constructed by Herod the Great, this theater was the location of the incident in Acts 12:19-24 where Herod’s grandson, Agrippa I, was struck down (see Josephus, Antiquities XIX.8.2).  But much transpired between then and now, and the photo below gives an idea of the poor preservation of the upper seating area of the theater.

Caesarea theater under restoration, db6603250808 Caesarea theater, 1966
(from Views That Have Vanished)
Caesarea theater, tb052304860 Caesarea theater, 2004
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A friend recently wrote to ask if I knew how to get higher resolution digital images of the maps and reconstruction diagrams for the new ESV Study Bible. Upon investigating, I realized that he missed one crucial step (see below). But in the process, I was struck by the wealth of visual resources that are available to all who own a copy of this Bible. With the steps below, registered owners can get (what I’d call) medium-resolution images of everything in the Bible. For instance, you get:

  • The City of Nineveh
  • Jerusalem in the Time of David
  • The Tabernacle (about 6 beautiful reconstructions)
  • Solomon’s Temple
  • Jerusalem in the Time of Solomon
  • The City of Jericho
  • Jerusalem in the Time of Hezekiah
  • Zerubbabel’s Temple
  • Jerusalem in the Time of Nehemiah
  • The City of Babylon
  • The Temple Mount in the Time of Jesus
  • Galilean Fishing Boat
  • Herod’s Temple in the Time of Jesus
  • The Tomb of Jesus
  • Herod’s Temple Complex in the Time of Jesus
  • Plus a couple hundred maps and charts.

All you have to do is select the image and right-click to save.

The drawings seem to be 1200 pixels wide and the maps are approximately 1000 pixels on the long side. That’s excellent for computer or projector use. Here are the steps to access them (for registered users):

1. Go to http://www.esvstudybible.org/online

2. Select “Maps and Charts” on the top bar.

3. Scroll down and select desired image.

4. Within popup window, click graphic. This opens up the image by itself in a larger size. (If you skip this step, you’ll end up with a much lower-resolution image.)

5. Right-click image; “save image as” (or equivalent in a browser other than Firefox).

Then you can view the image on your screen, drop it into a PowerPoint, or print it for your wall. I checked with the publisher to make sure what I’m telling you is allowed and they stated that you may use these images for personal use (i.e., saved on your computer) or ministry use (i.e., projected for teaching purposes), but not reprinted in other materials or posted onto websites or blogs. (For questions or permissions, email Crossway.)

If you don’t own the Bible, you can see and download some free drawings, a map, and a city plan on their blog, plus a few at Amazon.

So for $32, you not only get a really fat book, you also get electronic access to 40 reconstruction diagrams plus 200 full-color maps. I know the market pretty well in this area and I’d suggest that you’re getting your money’s worth just from the digital images. It’s like the printed Bible is thrown in for free.

I use the printed Bible and the online Bible every week for reasons entirely other than what is listed above. You can see more of what keeps me coming back (print and digital) even though I have two shelves of other Bibles.

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Archaeologist Yosef Garfinkel discusses his discovery of the Khirbet Qeiyafa ostraca in a 2.5 minute video posted on youtube.  There is a transcript in the right sidebar. 

The website of the Tell es-Safi/Gath Archaeological Project has been thoroughly revised and updated.  You can read about what has been discovered in previous seasons, as well as learn more about how to volunteer for the coming season.  The website also includes a photo gallery and a virtual tour of the tell.  Many of the images link to high-resolution versions.

HT: Paleojudaica and Aren Maeir

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The Israel Antiquities Authority has reported the discovery of an ancient marble figurine.  The bearded man may be a Roman boxer and is believed to date to approximately A.D. 200.

The figurine was used as a suspended weight together with a balance scale. This is probably the only find of its kind from excavations in the country.
A figurine (bust) made of marble depicting a miniature image of a bearded man’s head was discovered in the excavations that the Israel Antiquities Authority is conducting in the area of the Givati car park in the City of David, in the Walls around Jerusalem National Park.
According to Dr. Doron Ben-Ami and Yana Tchekhanovets, directors of the excavation at the site on behalf of the Israel Antiquities Authority, “The high level of finish on the figurine is extraordinary, while meticulously adhering to the tiniest of details. Its short curly beard, as well as the position of its head which is slightly inclined to the right, are indicative of an obviously Greek influence and show that it should be dated to the time of the emperor Hadrian or shortly thereafter (second-third centuries CE). This is one of the periods when the art of Roman sculpture reached its zenith. The pale yellow shade of the marble alludes to the eastern origin of the raw material from which the image was carved, probably from Asia Minor, although this matter still needs to be checked”.

The rest of the press release is here, and three photos may be downloaded in a zip file.  The story is covered by Haaretz and the Associated Press.  Reports of previous discoveries in this same excavation may be read here and here and here and here.

HT: Joe Lauer

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