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Visitors to the Masada synagogue will be able to watch a scribe making a copy of a Torah scroll. 

From Arutz-7:

A ritual scribe has begun spending his days behind a glass wall in the famous Masada synagogue – writing a Torah scroll to be installed there.
The young scribe, Shai Abramovitch, moved from the northern city of Tzfat, together with his wife and three young children, to the Negev city of Arad, in order to be able to carry out and complete the project. He will make the 45-minute Arad-Massada trek each morning after immersing in a mikveh (ritual bath) – a customary prelude to ritual scribes’ work – and will return after seven and a half hours of painstaking writing.
His glass-enclosed“office” is in the very spot used as a synagogue by hundreds of Jews who found refuge from the Romans on Masada some 2,000 years ago. Hard at work throughout the day, the scribe can be seen through the glass by the many tourists who visit the famous site.
Rabbi Abramovitch’s job “is not easy,” commented Rabbi Shimon Elharar, director of the closest Chabad chapter, Chabad-Lubavitch of the Dead Sea. “There are at least 800,000 people a year who come through that synagogue, and he will be working in a place designed somewhat like an incubator. It’s a little like working in an aquarium.”
In addition, scribe Abramovitch takes a break a few times a day to come out and explain the holy work of writing Torah scrolls, tefillin, mezuzot and more.

The story continues here.

HT: Paleojudaica

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A new exhibit opens on November 11 at the Davidson Center south of the Temple Mount in Jerusalem.  From Arutz-7:

Among the artifacts to be displayed next week is a rare collection of 2,000-year-old coins that were burnt during the Great Revolt by the Jews against the Roman occupation, in which the Second Holy Temple was destroyed. The Western Wall, which was outside the Temple and not a part of it, is the only remaining part of the immediate area that remained standing following the destruction. The collection includes unique coins that were minted in Jerusalem during the Second Temple period. One extraordinary find to be presented to the public for the first time is an extremely rare shekel that was minted by the Jewish rebels during the last months of the revolt, in the year 70 CE. Also on display will be other coins that were found in different excavations in the region and have a wide geographic origin, from Persia, via North Africa and as far away as France. These coins attest to the centrality of Jerusalem for all of the people who visited the city thousands of years ago, while leaving behind a "souvenir" in the area. It is interesting to note the difference between the Jewish coins and others on display. Contrary to pagan coins, the ruler was not usually depicted on coins of Jewish origin, due to the Jewish prohibition against making a "graven image" or idol. According to an IAA statement, it is for this reason that a variety of symbols of inanimate objects, such as a wreath or scepter and helmet, appear on many Jewish coins.

The Arutz-7 article also notes that the sarcophagus lid with the inscription “son of the high priest” will be on display.  The article has several beautiful photos of coins.

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The cave previously known as the “Cave of the Coffins” has been restored and renamed. From Arutz-7:

Knesset Speaker Reuven Rivlin unveiled a huge ancient relief depicting a seven branched menorah at Beit Shearim in the Galilee Tuesday. The menorah, which is 1.90 m. (75”) high, is one of the major tourist attractions at the renovated ancient burial cave site.
The burial caves were discovered decades ago but their recent renovation took place largely thanks to Rivlin’s initiative. In 2004, during his first term as Knesset Speaker, Rivlin visited the site and was stirred by the site of the numerous depictions of the menorah, which is the modern State of Israel’s symbol as well.
He took action to make sure that the site received special preference and that funds were allocated to its restoration and preservation. A team, which included restoration expert Jacques Neger and architect Ram Shoef, got rid of roots that had invaded the caves and restored the wall carvings, and the renewed site was opened to tourists.

The rest of the article, with photos, is here.

The Haaretz report adds this note:

Another two newly discovered burial caves not far from the current archaeological site will be opened to the public in three months.

Another Haaretz article notes the claims of a 93-year-old architect that he discovered the necropolis of Beth Shearim and not the famed watchman Alexander Zaid.

Beth Shearim Cave of Coffins menorah, tb040603019 Menorah decoration before restoration, Beth Shearim

HT: Joe Lauer

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Yediot Ahronot has an article which was summarized in the Caspari Center Media Review about a subject that I have not read about elsewhere.  Nor have I heard of a “Judaean valley,” but from the context I believe this refers to what geographers sometimes call the “Chalk Moat” on the eastern side of the Shephelah, near biblical Adullam.

In an article entitled "Bible Now," Eldar Beck looked at the background to the opening of a new "Bible valley" in the Judaean valley. The person responsible for the idea, Amos Rolnick, grew up on a Shomer HaTza’ir kibbutz which cancelled its Purim festivities due to Stalin’s death…. Rolnick, a kibbutznik who broke away to become a ‘capitalist,’ understood that Israel possessed the greatest financial potential in the world: lovers of the Bible. ‘I understood the power of the Bible in the world,’ he acknowledges. This understanding led him to conceive one of the most daring of tourist ventures now being planned in Israel: the creation of a ‘Bible valley’ park – a reconstruction of the biblical experience in a journey for Jewish history buffs, to be spread out over 100 dunams [25 acres] of land located in one of the central foci of the biblical story, in the Addulam strip in the Judaean valley, south of Jerusalem, not far from Beit Shemesh. ‘The Bible valley’ is defined as an interfaith project – Jewish and Christian – so that it will be possible to use it to link the hundreds of millions of those who also believe in the New Testament to the Land. It will be comprised of features devoted to the different biblical periods: it will contain a ‘Forest of legends,’ a ‘Forest of the land of milk and honey,’ a ‘Forest of the prophets,’ a ‘Forest of kings,’ and, of course, a ‘Forest of the Song of Songs.’ Via various technologies, visitors will be able to pass from our own time to the days of the Bible and to experience the course of history and faith … The heart of the park is intended to be the ‘Bible house,’ which will serve as permanent accommodation for the children’s paintings … as well as help in raising the funds for the next monumental project: ‘The people of the world write the Bible,’ in which framework the books of the Bible will be written by hand by people across the world, in their native language. The intention, explains Rolnick, is to get to at least 100 books, in 100 languages." The first books have already been written – in Taiwanese, Tamil, Finnish, Mandarin, Bengali – and are currently on exhibit at the Bible Lands Museum in Jerusalem…. The project, supported by various individuals including academics and literary figures, is due to be built within the next five years, the Bible house being first on the list.

More information about the project is given in the article.

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The Jerusalem Post reports on a new museum that has opened at the traditional Inn of the Good Samaritan.

The Museum of the Good Samaritan, which is located on the Jerusalem-Jericho Road near Ma’aleh Adumim, was officially opened Thursday evening after a nine-year archeological excavation at the site.
The official dedication of the NIS 10 million museum, which displays mosaics from the West Bank and Gaza, coincided with US President Barack Obama’s long-touted Middle East speech in Cairo in which he reached out to the Muslim world….
The site, known as the Inn of the Good Samaritan, received its name in the Byzantine period when it was identified with the inn mentioned in the Parable of the Good Samaritan in the New Testament.
The site lies on the upper end of the ascent on the main road from Jericho to Jerusalem, which pilgrims followed when traveling from the Galilee and Transjordan to the Holy City.
Over the last decade, archeologists have uncovered remains dating back to the Second Temple period at the site.
During the Byzantine period, the site was revived as a way station for Christian pilgrims, and an inn was constructed that included a large church, a cistern, residential quarters, and a fortress to protect pilgrims from brigands.
In the Crusader period, with the expansion of pilgrimage to Jericho and especially to baptismal sites on the Jordan River, the inn was renovated and a fortress erected above it to guard the road to Jerusalem.
The structure housing the museum was built in the Ottoman period as a guard post, which remained in use until recently.
The mosaics on display at the museum were discovered in the West Bank and Gaza and belong to Jewish and Samaritan synagogues – including a mosaic from a Gaza synagogue – as well as churches.

The full story is here.

Good Samaritan inn, tb113006626dxo Traditional Inn of the Good Samaritan with Jerusalem in the distance
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The Israel Museum in Jerusalem is in the midst of a $100 million renovation and the Jerusalem Post has an update on the transformation.  Here are some snips:

There are two main aspects to the renewal project. The first is to create a completely new approach from the entrance of the museum to the center of the museum campus. To do this, the museum has hired New York architect James Carpenter, who has worked on a variety of high-profile projects, such as the new Hearst headquarters (which involved saving the original facade of an existing building), the podium light wall of the Seven World Trade Center building in New York, a proposed multi-use sports enclosure for the Brooklyn Bridge Park, and the Madison Square Garden renovation…. This second main aspect of the campus renewal – the reconstruction of the original museum complex from within – has been taken up by Tel Aviv-based Zvi Efrat of Efrat-Kowalsky Architects. Efrat, who is also the head of the architecture department at the Bezalel Academy of Art and Design, has created a central circulation point from which all the museum’s main exhibit wings – Archeology, Judaica and Jewish Ethnography, Fine Arts, and Temporary Exhibitions – are accessible on the same level. To achieve this internal redesign without, in Snyder’s words, "increasing the breadth of the existing envelope," the museum is being gutted from the inside, its exhibit halls are reconfigured, and a number of connecting passages are being added. The key to the project, though, is turning an area previously dedicated to internal museum service activity into exhibition spaces, resulting in an additional 9,290 sq.m. of gallery space that does not involve expanding the museum campus…. One of the final touches to the renewal project was a revamping of the museum’s central outdoor plaza, raising two-thirds of it by a meter to improve its position as a vista point, and to split its length to make it more human-sized. The east side will lead to the underground passage that connects with the museum entrance, and the west side will open up on a wide staircase that feeds into the Isamu Noguchi-designed sculpture garden, making it more central to the campus.

The TimeOnline has a story about the new Egyptian gallery at the British Museum in London.  (HT: Explorator)

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